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{"id":48013,"date":"2020-11-23T09:48:47","date_gmt":"2020-11-23T14:48:47","guid":{"rendered":"http:\/\/dzinetrip.com\/?p=48013"},"modified":"2020-11-23T09:52:03","modified_gmt":"2020-11-23T14:52:03","slug":"reframed-portraits-revisiting-the-position-of-artist-and-the-model-in-modern-form-of-portraiture","status":"publish","type":"post","link":"http:\/\/dzinetrip.com\/reframed-portraits-revisiting-the-position-of-artist-and-the-model-in-modern-form-of-portraiture\/","title":{"rendered":"Reframed Portraits: Revisiting The Position Of Artist And The Model In Modern Form Of Portraiture"},"content":{"rendered":"\n
The two defining movements in the history of portraiture that has shaped modern-day art were the 18th<\/sup> century Yesterday\u2019s Photography and 20th<\/sup> Century Portraiture. The process of portrait painting has since been majorly about the artist and the model. The role of \u201cagency\u201d within the traditional sense of it and the intimacy between the two adds the finishing touch to the piece of art.<\/p>\n\n\n\n
With the shift from the renaissance to realist there has been a visible change in the position of artist and model too. The first phase was artist-oriented with less of a model-approach. Artist, in a dominating position, created a portrait that was customized to fit into his idea of perfect while the model remained a passive agent.<\/p>\n\n\n\n
This became an overwhelming issue for the models who had different expectations. Artists kept making portraits off their own bat and history kept showing us the artist\u2019s perspective of royalty.<\/p>\n\n\n\n