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{"id":46875,"date":"2018-08-01T14:44:49","date_gmt":"2018-08-01T18:44:49","guid":{"rendered":"http:\/\/dzinetrip.com\/?p=46875"},"modified":"2018-08-07T13:48:42","modified_gmt":"2018-08-07T17:48:42","slug":"icons-of-style-more-than-a-fashion-show","status":"publish","type":"post","link":"http:\/\/dzinetrip.com\/icons-of-style-more-than-a-fashion-show\/","title":{"rendered":"Icons of Style – More Than a Fashion Show"},"content":{"rendered":"

It\u2019s billed as a fashion retrospective but the Getty Centre\u2019s current exhibition\u00a0Icons of Style: 100 years of Fashion Photography<\/strong>\u00a0<\/em>is really about style and form and the elevation of commercial photography into an art form.<\/p>\n

We see the boyish aesthetic of the 1920\u2019s evolving into the more feminine style of the 1930\u2019s as photographers play with theatrical poses and dramatic lighting. Witness their strong, simple black-and-white studies.\u00a0Model Wearing a Gown by Augustabernard\u00a0<\/em>by Man Ray is particularly impressive.<\/p>\n

Photographers experiment with location, colour and gender as the decades fly by. Introducing men into photo shoots is a big deal in the 1950\u2019s and in the \u201860\u2019s the androgynous look appears.<\/p>\n

By the time we get to the 2000\u2019s, anything goes. Fashion photographers shoot their models in the street to get an edgy documentary feel and set up fake tableaux like\u00a0Bath House<\/em>\u00a0by Deborah Turbeville. These later images go beyond technical proficiency; they tell a story and invoke emotional reactions. The fist pump from\u00a0Kate Moss, Times Square, New York\u00a0<\/em>is timely if contrived and Tim Walker\u2019s\u00a0The Dress-Lamp Tree<\/em>\u00a0is deliciously whimsical. The show is supposed to be about the evolution of fashion as told through photography but it really holds a mirror up to ourselves and our culture.<\/p>\n

Icons of Style: 100 Years of Fashion Photography<\/em>\u00a0runs until\u00a0October 11<\/span><\/span>\u00a0at the Getty Centre in Los Angeles<\/a>.<\/p>\n

\"\"<\/a>

Edward Steichen, American, born Luxembourg, 1879\u20131973 Perfection in Black; Margaret Horan, 1935 Gelatin silver print 25.4 x 20.3 cm (10 x 8 in.) Courtesy of and \u00a9 Cond\u00e9 Nast \/ Vogue, November 1, 1935 EX.2018.7.45<\/p><\/div>\n

\"\"<\/a>

Man Ray, American, 1890\u20131976; Model Wearing a Gown by Augustabernard, 1936; Gelatin silver print 28.9 x 22.7 cm (11 3\/8 x 8 15\/16 in.) The J. Paul Getty Museum, Los Angeles \u00a9 Man Ray Trust ARS-ADAGP 84.XM.1000.53<\/p><\/div>\n

\"\"<\/a>

Horst P. Horst, American, born Germany, 1906\u20131999; The Mainbocher Corset, Paris, 1939; Gelatin silver print 55.2 x 40.6 cm (21 3\/4 x 16 in.); Courtesy Fahey\/Klein Gallery, Los Angeles \u00a9 Cond\u00e9 Nast \/ Vogue, September 15, 1939 EX.2018.7.128<\/p><\/div>\n

<\/div>\n
\"\"<\/a>

Lillian Bassman, American, 1917\u20132012; The V Back Evenings, Suzy Parker, Dress by Trig\u00e8re, New York, 1955; Gelatin silver print 24.1 x 21.7 cm (9 1\/2 x 8 9\/16 in.); The J. Paul Getty Museum, Los Angeles \u00a9 The Estate of Lillian Bassman 2011.35<\/p><\/div>\n

<\/div>\n
\"\"<\/a>

Neal Barr, American, born 1932 Diana Newman, 1966; Gelatin silver print 43.2 x 35.3 cm (17 x 13 7\/8 in.); The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs<\/p><\/div>\n

\"\"<\/a>

Bruce Weber, American, born 1946; Bruce Hulse and Talisa Soto for British \u201cVogue,\u201d Bellport, NY, 1982; Gelatin silver print 59.7 x 49.5 cm (23 1\/2 x 19 1\/2 in.); Courtesy of Bruce Weber and Nan Bush \u00a9 Bruce Weber EX.2018.7.17<\/p><\/div>\n

\"\"<\/a>

Guy Bourdin, French, 1928\u20131991; Untitled, for Charles Jourdan, Spring 1977, negative, 1977; printed later Chromogenic print 45.7 x 34.3 cm (18 x 13 1\/2 in.); The Estate of Guy Bourdin, courtesy of Louise Alexander Gallery Image copyright The Guy Bourdin Estate 2018, courtesy of Louise Alexander Gallery EX.2018.7.6<\/p><\/div>\n

\"\"<\/a>

Deborah Turbeville, American, 1932\u20132013; Bath House, negative, 1975; print, about 1980; Gelatin silver print 40.6 x 60.8 cm (16 x 23 15\/16 in.); The J. Paul Getty Museum, Los Angeles, Gift of the Estate of Deborah Turbeville \u00a9 Deborah Turbeville Foundation 2017.90<\/p><\/div>\n

<\/div>\n
\"\"<\/a>

Sarah Moon, French, born England, 1941; Sveta for Hussein Chalayan, 2000; Carbon print 57.2 x 43.4 cm (22 1\/2 x 17 1\/16 in.); The J. Paul Getty Museum, Los Angeles \u00a9 Sarah Moon 2011.52<\/p><\/div>\n

\"\"<\/a>

Sheila Metzner, American, born 1939; Uma in Dress by Patou, 1986; Pigment print 62.7 x 41.8 cm (24 11\/16 x 16 7\/16 in.); The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council \u00a9 Sheila Metzner 2016.90<\/p><\/div>\n

\"\"<\/a>

Hiro, American, born China, 1930; Black Evening Dress in Flight, New York, negative, 1963; print, 1994 Dye imbibition print 48.9 x 38.1 cm (19 1\/4 x 15 in.) The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council \u00a9 Hiro 2012.24.2<\/p><\/div>\n

\"\"<\/a>

Tim Walker, British, born 1970; The Dress-Lamp Tree, England, 2002; Chromogenic print 119.4 x 143.5 cm (47 x 56 1\/2 in.); Courtesy of Steven and Catherine Fink \u00a9 Tim Walker EX.2018.7.145<\/p><\/div>\n

\"\"<\/a>

Glen Luchford, British, born 1968; Kate Moss, Times Square, New York, negative, 1994; print, 2017; Gelatin silver print 50.8 x 61 cm (20 x 24 in.); The J. Paul Getty Museum, Los Angeles, Gift of Glen and Tanya Luchford \u00a9 Glen Luchford 2017.121.1<\/p><\/div>\n

<\/div>\n
\"\"<\/a>

Richard Burbridge, British, born 1965; In Silhouette, 2007; Chromogenic print 55.9 x 71.1 cm (22 x 28 in.); Courtesy of the artist EX.2018.7.170\u00a0<\/span><\/p><\/div>\n

<\/div>\n

 <\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

It\u2019s billed as a fashion retrospective but the Getty Centre\u2019s current exhibition\u00a0Icons of Style: 100 years of Fashion Photography\u00a0is really about style and form and the elevation of commercial photography into an art form. We see the boyish aesthetic of the 1920\u2019s evolving into the more feminine style of the 1930\u2019s as photographers play with […]<\/p>\n","protected":false},"author":15,"featured_media":46906,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[88,137,182],"tags":[587,7882,7881,7880,6954,4925],"yoast_head":"\nIcons of Style - More Than a Fashion Show Art -<\/title>\n<meta name=\"description\" content=\"Icons of Style - More Than a Fashion Show Art\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dzinetrip.com\/icons-of-style-more-than-a-fashion-show\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Icons of Style - More Than a Fashion Show Art -\" \/>\n<meta property=\"og:description\" content=\"Icons of Style - 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