\u00a0The paintings, murals and installations of Esther Stocker, based on grid structures and on the colors black, white and gray, consistently manifest entanglements, interconnections, interpenetrations, both semantically and formally, for which the variably deployed grid motif functions as a metaphorical\u00a0 logo. Stocker consistently breaks with one-dimensional notions of order, space, and\u00a0painting as contextual and relational factors and concepts.<\/p>\n<\/div>\n